Wednesday, January 25, 2012

Skinny Puppy Thwarts Ambush From The Great Vampire Squid

ohGr disapproves of your hapless consumer mentality.It is a story that most musicians and bands are now accustomed to as economic imbalance continues to sabotage their creative potential. With the release of the new Skinny Puppy album, HanDover, this past October, we bear witness to a record that has been on hold from release for two years thanks to the ongoing sickening ravages of the global financial plague waged on anyone who isn't in the 1%. Obviously, there is an interesting back story to this. In 2009, Skinny Puppy's label, the German-based SPV, went into insolvency, instantly nullifying any possibility of the album's release that year. While this was happening, the band had also scheduled their 2009 Fall tour throughout the US and Europe, yet decided to go forward with the shows despite not at all having their new album on hand. The trouble with the label's lack of financing for the release of their album inevitably gave the band's singer, Ohgr, an idea to harness his patented gothy word-manipulation powers and christened the tour name "In Solvent See".

Supernatural poster for Skinny Puppy's 2009 In Solvent See tour.
In the run up to their tour, Skinny Puppy learned of the label's insolvency, so the band's manager, Jeff Jacquin, put out a press release, which stated "I just wanted to attempt to make everyone aware of the current situation that Skinny Puppy is in. Due to the fact that SPV filed for insolvency earlier in the year, the new Skinny Puppy LP will not be out in time for the tour. We have been in discussion with SPV and had hoped to find a solution to the mess they have put us in, but it looks as though things will not get sorted out until years end. We have meetings set with them in the near future and I hope to be able to let everyone know that things will be back on track soon. Songs have been recorded and artwork has been worked on and once we resolve the issues we have with SPV we will release them."

Album cover for the 2011 Skinny Puppy album, haNdoverThat was October 2009. Fast forward two years later and we are finally able to enjoy this legendary industrial band's new album hanDover, a long-awaited follow up to their 2007 album, Mythmaker. Sporting a poignant design by the visual artist who has done nearly all their album covers since the beginning, Steven R. Gilmore, the release turns a giant mirror on this naughty little world in a way that only Skinny Puppy can pull off. One can assume that the band must have continued to record and tweak the album while waiting to put it out so that it wouldn't be too dated. If so, they succeeded. Stylistically, the record has similarities to their post-millenium sound (Cullorblind, Ashas, Icktums, Village), but at times can possibly even remind diehard fans of their earlier, grittier, analog synth legacy (Ovirt, Wavy, Point) while continuing to explore production techniques that tap into new territory (Gambatte, Brownstone, Vyrisus, Noisex). Overall, the album is a worthwhile buy if you are a fan, but probably not the best pick for newcomers, who should likely first be exposed to their classic albums (such as Remission, Too Dark Park, and The Process) for the best potential long term impact.

Marz233 figuring out the mix for our next hit song.
"So what in the hell does this blog have to do with your band HoodooEngine?" you may be furiously asking yourself while sitting in total isolation (in true troll form). Aside from being one of the most influential groups for us and wanting to show respect for their continued efforts, we are also intrigued by this tale of an extended monetary struggle to release their art. Much like our own (and most others) sustained professional difficulties, Skinny Puppy has undergone major stresses and delays of their work due to the persistent specter of economic disparity. Their true hella swag gangsta ability to persevere as a band continues to inspire us. As such, we have learned to gladly punt any silly obstacles (such as total world meltdown) that might stand in the way of releasing stuff such as our newest cheerful release, Murder The World, and we will continue to stand for groundbreaking art that isn't afraid to raise its voice to make a worthwhile pissed-off statement. In closing, we feel it really helps to make an impact against the powers that be if you offer bands that you really appreciate a little bit of your money. I mean, c'mon, otherwise its just going to go toward that corporate slush fund for genetically modifying your unborn children. Nobody wants that.

Tuesday, December 20, 2011

Thursday, November 17, 2011

Primus Portrays Tales Of Crustacean Class Struggle


This is Johan Ess, lead singer and lyricist for HoodooEngine, bringing you the best and newest mindstuffs floating about in the void. The new video by Primus, Tragedy's 'A Comin', gives a rather inspired take on the ravenous inequity that has been given such widespread attention lately. This type of mass obsession with the horrible condition of class issues is largely due to the #OccupyWallStreet movement going on right now, which we fully support. Anyway, back to the video. Basically, you've got their bassist/singer Les Claypool wearing a giant lobster costume on the beach in the daydream of one of the lobsters awaiting his fate in a restaurant's tank, as the privileged dine and party like there's no tomorrow. The video has an amusing climax with an astronaut riding in on a horse to devour the Claypool lobster, making me wonder if this was all just inspired by a nightmare he recently had.


Primus is no stranger to infusing class commentary into their music, with previous songs like Too Many Puppies, American Life, Welcome To This World, DMV, and of course, who could forget Those Damn Blue Collar Tweakers amongst the more obvious critical jabs of society at large. In fact, despite their reputation as a stoner's wet dream of a proggy funky slippery mud rock trio, Primus has always managed to balance their infamous alternative wackyness with a deeper set of socially conscious views. "Musically, it's upbeat," Les Claypool says, "But lyrically, the song is all about impending doom." When there's "a storm coming, the rain must fall. But to depict that would have been the cliché thing to do, so we've got lobsters."

Keeping in line with the invertebrate theme, the track Invocation from my new solo album, vltrahex, has a line that calls on listeners to "raise up your claws!" in defiance of the submission demanded by an economically obsessed society...



In much the same vein, with projects like HoodooEngine, I have always intended to convey the very palpable sense of impending doom without devolving into utter cliché. This has always been best remedied by the vigorous application of comic relief.

Whether it is referencing Grant Morrison's cancer-dimensional Archons from The Invisibles graphic series, the absurd notion of "alchemists in their fancy aether, turning their shit to gold", or the inhumanly robotic "machinations of silicon, making their way to your rear", these lyrics are designed to amuse and alter your brain chemistry...


If you like that last track, be sure to get our new album that just came out, Murder The World.

Monday, November 14, 2011

Murder The World officially released in digital format



Have at it you lunatics! Hilarious ultraviolence in musical form.

The CD version will be available soon, for an equally reasonable price. If you'd like to know more about the process behind the scenes (we worked on this album for 3 years), explore this site more.

Thanks to everyone that worked so hard on this project.

Monday, September 12, 2011

"Murder The World" in the studio



HoodooEngine is a musical jihad against corporate thoughtforms. We’ll use their tools against them, and drink tequila as the old guard crumbles and topples from its own weight.

As we were in the studio preparing our second album, "Murder The World," James also brought around his hand recorder and chronicled our descent into madness, including some of the tracks in progress as they were at that point (you can hear the finals now on the album). This is it- a 2 part podcast series completely unlike any other podcast you've ever heard.

These recording sessions were a taxing process that involves copious amounts of drugs and self-abuse, so bear with us and check out the album when it’s released as CD if we don’t all OD on cough syrup and fermented yak semen, or invoke a wrathful demon that replaces all of our bodily fluids with nutella.

And of course, the album "Murder The World" digital album: now waiting for final master but already available:

Saturday, September 3, 2011

Would You Fuck Me? I'd Fuck Me

What's we been up to, you ask? Here's a little taste...




I'm leaking this little "B" side for you for labor day or some shit.

If you don't "get it" let me help refresh your memory. (I know drug abuse is hell on recall.)


You can thank Clark for the phone call you can hear in this track. And yes, he really was on the line with the hospital, asking to have his dick removed. A MAN HAS NEEDS, OK?

Last but not least... Here our some of our recent band photos. Don't we look purdy?

Hartman (Leads on "Drawing The Void.")
James (Rhythm, bass)
Johan (vocals)
Marz (fascist dictator)
Clark (hand percussion, inspirational OD's)
Now go and pay 5 measly bucks for an album that'll blow the speakers out of your car, will you?